LIT 2230-01: Introduction to Global Literature

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Author Profiles

Here are  the profiles of the authors whose works we will be stydying in this class.

Mulk Raj Anand

1905-


Personal Information: Family: Born December 12, 1905, in Peshawar, India; son of Lal Chand (a coppersmith and soldier) and Ishwar (Kaur) Anand; married Kathleen Van Gelder (an actress), 1939 (divorced, 1948); married Shirin Vajifdar (a classical dancer), 1949; children: one daughter. Education: University of Punjab, B.A. (with honors), 1924; University College, London, Ph.D., 1929; additional study at Cambridge University, 1929-30. Military/Wartime Service: Fought with Republicans in Spanish Civil War, 1937-38. Memberships: Indian National Academy of Letters (fellow), Indian National Academy of Art (fellow), Indian National Council of Arts, Sahitya Academy (fellow), Lalit Kala Academy (fellow). Addresses: Home: Jassim House, 25 Cuffe Parade, Colaba, Bombay 400 005, India. Office: MARG Publications, Army &Navy Bldg., 148, Mahatma Gandhi Rd., Bombay 400 023, India.

Career: Novelist, essayist, and lecturer. Helped found the Progressive Writer's Movement in India, 1938; lecturer in literature and philosophy at London County Council Adult Education Schools, and broadcaster and scriptwriter in films division for British Broadcasting Corp., 1939-45; lecturer at various Indian universities, 1948-63; Tagore Professor of Fine Arts at University of Punjab, 1963-66; visiting professor at Institute of Advanced Studies in Simla, 1967-68; president of Lokayata Trust (an organization developing community and cultural centers in India), 1970--. Editor, MARG (Indian art quarterly), Bombay, India, 1946--.

Awards: Leverhulme fellow, 1940-42; International Peace Prize, World Council of Peace, 1952, for promoting understanding among nations; Padma Bhusan Award from the President of India, 1968; honorary doctorates from Indian universities in Delhi, Benares, Andhra, Patiala, and Shantiniketan.

WRITINGS BY THE AUTHOR:

  • Persian Painting, Faber (London), 1930.

  • Curries and Other Indian Dishes, Harmsworth (London), 1932.

  • The Golden Breath: Studies in Five Poets of the New India, Dutton (New York, NY), 1933.

  • The Hindu View of Art, Allen &Unwin (London), 1933, 2nd edition published as The Hindu View of Art with an Introductory Essay on Art and Reality by Eric Gill, Asia Publishing House, 1957, 3rd edition, Arnold Publishers (New Delhi), 1988.

  • Apology for Heroism: A Brief Autobiography of Ideas, Drummond (London), 1934, published as Apology for Heroism: An Essay in Search of Faith, Drummond, 1946.

  • Letters on India, Routledge (London), 1942.

  • India Speaks (play), first produced in London at the Unity Theatre, 1943.

  • Homage to Tagore, Sangam (Lahore, India), 1946.

  • (With Krishna Hutheesing) The Bride's Book of Beauty, Kutub-Popular (Bombay), 1947, published as The Book of Indian Beauty, Tuttle (Rutland, VT), 1981.

  • On Education, Hind Kitabs (Bombay), 1947.

  • The Story of India (juvenile history), Kutub-Popular, 1948.

  • The King-Emperor's English; or, The Role of the English Language in Free India, Hind Kitabs (Bombay), 1948.

  • Lines Written to an Indian Air: Essays, Nalanda (Bombay), 1949.

  • The Indian Theatre, illustrated by Usha Rani, Dobson (London), 1950, Roy (New York, NY), 1951.

  • The Story of Man (juvenile natural history), Sikh (New Delhi), 1954.

  • The Dancing Foot, Publications Division, Indian Ministry of Information &Broadcasting (New Delhi), 1957.

  • Kama Kala: Some Notes on the Philosophical Basis of Hindu Erotic Sculpture, Skilton (London), 1958, Lyle Stuart (New York, NY), 1962.

  • (Author of introduction and text) India in Color, McGraw (New York City), 1958.

  • (With Stella Kramrisch) Homage to Khajuraho, MARG Publications (Bombay), 1960, 2nd edition, 1962.

  • More Indian Fairy Tales, Kutub, 1961.

  • Is There a Contemporary Indian Civilisation?, Asia Publishing House (Bombay), 1963.

  • The Third Eye: A Lecture on the Appreciation of Art, edited by Diwan Chand Sharma, University of Punjab (Patiala), 1963.

  • (With Hebbar) The Singing Line, Western Printers &Publishers, 1964.

  • (With others) Inde, Napal, Ceylan (French guidebook), Editions Vilo (Paris), 1965.

  • The Story of Chacha Nehru (juvenile), Rajpal, 1965.

  • Bombay, MARG Publications, 1965.

  • Design for Living, MARG Publications, 1967.

  • The Volcano: Some Comments on the Development of Rabindranath Tagore's Aesthetic Theories and Art Practice, Maharaja Sayajirao University of Baroda, 1967.

  • The Humanism of M. K. Gandhi, Three Lectures, University of Punjab, 1967.

  • (With others) Konorak, MARG Publications, 1968.

  • Indian Ivories, MARG Publications, 1970.

  • (Author of text) Ajanta, photographs by R. R. Bhurdwaj, MARG Publications/McGraw, 1971.

  • Roots and Flowers: Two Lectures on the Metamorphosis of Technique and Content in the Indian-English Novel, Karnatak University (Dharwar), 1972.

  • Mora, National Book Trust (New Delhi), 1972.

  • Album of Indian Paintings, National Book Trust, 1973.

  • Author to Critic: The Letters of Mulk Raj Anand, edited by Saros Cowasjee, Writers Workshop (Calcutta), 1973.

  • Folk Tales of Punjab, Sterling (New Delhi), 1974.

  • Lepakshi, MARG Publications, c. 1977.

  • (With others) Persian Painting, Fifteenth Century, Arnold-Heinemann/MARG Publications (India), 1977.

  • Seven Little-Known Birds of the Inner Eye, Tuttle, 1978.

  • The Humanism of Jawaharlal Nehru, Visva-Bharati (Calcutta), 1978.

  • The Humanism of Rabindranath Tagore, Marathwada University (Aurangabad, India), 1979.

  • Album of Indian Paintings, Auromere, 1979.

  • Maya of Mohenjo-Daro (juvenile), 3rd edition, Auromere, 1980.

  • Conversations in Bloomsbury (reminiscences), Wildwood House (London), 1981.

  • Madhubani Painting, Publications Division, Ministry of Information and Broadcasting, 1984, Oxford University Press (Oxford), 1995.

  • Ghandhian Thought and Indo-Anglican Novelists, Chanakya Publications (India), 1984.

  • Poet-Painter: Paintings by Rabindranath Tagore, Abhinav Publications (New Delhi), 1985.

  • Pilpali Sahab: The Story of a Childhood under the Raj (autobiography), Arnold-Heinemann, 1985.

  • Homage to Jamnalal Bajaj: A Pictorial Biography, Allied (Ahmedabad), 1988.

  • Amrita Sher Gill, National Gallery of Modern Art (New Delhi), 1989.

  • Pilpali Sahab: The Story of a Big Ego in a Small Body, Arnold Publishers, 1990.

  • Caliban and Gandhi: Letters to "Bapu" from Bombay, (correspondence), Arnold Publishers, 1991.

  • Indian Folk Tales, Publications Division, Ministry of Information and Broadcasting, Government of India, 1991.

  • Kama Yoga: Some Notes on the Philosophical Basis of " Erotic" Art of India, Arnold Publishers, 1991.

  • Little Plays of Mahatma Gandhi, Arnold Publishers, 1991.

  • Old Myth and New Myth: Letters from Mulk Raj Anand to K.V.S. Murti, (correspondence), Writers Workshop, 1991.

  • Shahid, Urdu Akadmi, 1995.

  • Tales Told By an Idiot: Selected Short Stories, Jaico Publishing House, 1999.

  • English Writer Mulk Raj Anand Reads from His Fiction, (sound recording made on December 20, 2000), Archive of World Literature on Tape, 2000.

Also author of Kama Yoga, Aspect (Edinburgh), and Chitralakshana, National Book Trust.

NOVELS

  • Untouchable, preface by E. M. Forster, Wishart (London), 1935, revised edition, Bodley Head (London), 1970.
  • The Coolie, Lawrence &Wishart, 1936, published as Coolie, Penguin (London), 1945, Liberty Press (New York, NY), 1952, new revised edition, Bodley Head, 1972.
  • Two Leaves and a Bud, Lawrence &Wishart, 1937, Liberty Press, 1954.
  • Lament on the Death of a Master of Arts, Naya Sansar (Lucknow, India), 1938.
  • The Village, J. Cape (London), 1939.
  • Across the Black Waters, J. Cape, 1940.
  • The Sword and the Sickle, J. Cape, 1942.
  • The Big Heart, Hutchinson, 1945, revised edition, Arnold-Heinemann (New Delhi), 1980.
  • Private Life of an Indian Prince, Hutchinson, 1953, revised edition, Bodley Head, 1970.
  • The Old Woman and the Cow, Kutub-Popular, 1960, published as Gauri, Arnold-Heinemann, 1987.
  • The Road, Kutub, 1961, Oriental University Press (London), 1987.
  • Death of a Hero: Epitaph for Maqbool Sherwani, Kutub- Popular, 1963, Arnold-Heinemann, 1988.

"THE SEVEN AGES OF MAN" SERIES

  • Seven Summers: The Story of an Indian Childhood, Hutchinson, 1951.
  • Morning Face, Kutub-Popular, 1968.
  • Confession of a Lover, Arnold-Heinemann, 1984.
  • The Bubble, Arnold-Heinemann, 1984.

STORY COLLECTIONS

  • The Lost Child and Other Stories (also see below), J. A. Allen (London), 1934.
  • The Barber's Trade Union and Other Stories (includes the stories from The Lost Child and Other Stories), J. Cape, 1944.
  • Indian Fairy Tales: Retold, Kutub-Popular, 1946, 2nd edition, 1966.
  • The Tractor and the Corn Goddess and Other Stories, Thacker (Bombay), 1947, reprinted, Arnold-Heinemann, 1987.
  • Reflections on the Golden Bed and Other Stories, Current Book House (Bombay), 1954, reprinted, Arnold Publishers, 1984.
  • The Power of Darkness and Other Stories, Jaico (Bombay), 1959.
  • More Indian Fairy Tales, Kutub-Popular, 1961.
  • Lajwanti and Other Stories, Sterling, 1973.
  • Between Tears and Laughter, Sterling, 1973.
  • Selected Short Stories of Mulk Raj Anand, edited by M. K. Naik, Arnold-Heinemann, 1977.

EDITOR

  • Marx and Engels on India, Socialist Book Club (Allahabad, India), 1933.
  • (With Iqbal Singh) Indian Short Stories, New India (London), 1946.
  • Ananda Kentish Coomaraswamy, Introduction to Indian Art, Theosophical Publishing, 1956.
  • Annals of Childhood, Kranchalson (Agra, India), 1968.
  • Experiments: Contemporary Indian Short Stories, Kranchalson, 1968.
  • Grassroots (short stories), Kranchalson, 1968.
  • Contemporary World Sculpture, MARG Publications, 1968.
  • Homage to Jaipur, MARG Publications, 1977.
  • Homage to Amritsar, MARG Publications, 1977.
  • Tales from Tolstoy, Arnold-Heinemann, 1978.
  • Alampur, MARG Publications, 1978.
  • Homage to Kalamkari, MARG Publications, 1979.
  • Splendours of Kerala, MARG Publications, 1980.
  • Golden Goa, MARG Publications, 1980.
  • Splendours of the Vijayanagara, MARG Publications, 1980.
  • Treasures of Everyday Art, MARG Publications, 1981.
  • Maharaja Ranjit Singh as Patron of the Arts, MARG Publications, 1981, Humanities (New York, NY), 1982.
  • (With Lance Dane) Kama Sutra of Vatsyayana (from a translation by Richard Burton and F. F. Arbuthnot), Humanities, 1982.
  • (With S. Balu Rao) Panorama: An Anthology of Modern Indian Short Stories, Sterling (New Delhi), 1986.
  • Chacha Nehru, Sterling, 1987.
  • Aesop's Fables, Sterling, 1987.
  • (And author of background essay) The Historic Trial of Mahatma Gandhi, National Council of Educational Research and Training (New Delhi), 1987.
  • The Other Side of the Medal, Sterling, 1989.
  • Sati: A Writeup of Raja Ram Mohan Roy about Burning of Widows Alive, B. R. Publishing (New Delhi), 1989.
  • Annihilation of Caste: An Undelivered Speech, by B. R. Ambedkar, Arnold Publishers, 1990.
  • (With Eleanor Zelliot) An Anthology of Dalit Literature: Poems, Gyan Publishing House, 1992.
  • Splendours of Himachal Heritage, Abhinav Publications (New Delhi), 1997.

OTHER

  • (Contributor) Bharata Natyam, by Sunil Kothari, Marg Publications, 1997.

Editor of numerous magazines and journals, 1930--.

Works in Progress: The last three books of the septet, "The Seven Ages of Man," tentatively titled And So He Plays His Part, A World Too Wide, and Last Scene; a Tagore lecture on Indian fiction, A Novel Form in the Ocean of Story, for Punjab University Publication Bureau; a third edition of Apology for Heroism: A Brief Autobiography of Ideas, for Arnold Publishers.

"Sidelights"

Mulk Raj Anand is considered by many critics to be one of India's best writers. Along with R. K. Narayan and Raja Rao, he has established the basic forms and themes of Indian literature that is written in English. Through his socially conscious novels and short stories, Anand attacks religious bigotry, established institutions, and the Indian state of affairs. At the same time, he has greatly enriched his country's literary heritage. In World Literature Today, Shyam M. Asani comments that "Anand writes about Indians much as Chekhov writes about Russians, or Sean O'Faolain or Frank O'Connor about the Irish."

Coetzee, J. M.   click here to track this topic
Related: South African Literature Biographies

(kö´tsē) (John Maxwell Coetzee) , 1940-, South African novelist, b. John Michael Coetzee. Educated at the Univ. of Cape Town (M.A. 1963) and the Univ. of Texas (Ph.D. 1969), he taught in the United States and returned home (1983) to become a professor of English literature at Cape Town. He immigrated to Australia in 2002. Several of Coetzee's novels are noted for their eloquent protest against political and social conditions in South Africa, particularly the suffering caused by imperialism, apartheid, and postapartheid violence. His books are also known for their technical virtuosity. Often melancholy and detached in tone and spare in style, his fiction treats themes of human violence and loss, weakness and defeat, isolation and survival. His critically acclaimed novels include In the Heart of the Country (1977), Waiting for the Barbarians (1982), the Booker Prize-winning The Life and Times of Michael K (1983) and Disgrace (1999), The Master of Petersburg (1994), and Elizabeth Costello (2003). Among Coetzee's other writings are the memoirs Boyhood (1997) and Youth (2002) and several essay collections. He was awarded the Nobel Prize for Literature in 2003.

Achebe, Chinua Edit Text

 

Biography and Style

Albert Chinualumogu Achebe was born the son of Isaiah Okafo, a Christian churchman, and Janet N. Achebe November 16, 1930 in Ogidi, Nigeria. He married Christie Chinwe Okoli, September 10, 1961, and now has four children: Chinelo, Ikechukwu, Chidi, and Nwando. He attended Government College in Umuahia from 1944 to 1947 and University College in Ibadan from 1948 to 1953. He then received a B.A. from London University in 1953 and studied broadcasting at the British Broadcasting Corp. in London in 1956.

Since the 1950's, Nigeria has witnessed "the flourishing of a new literature which has drawn sustanence from both traditional oral literature and from the present and rapidly changing society," writes Margaret Laurence in her book Long Drums and Cannons: Nigerian Dramatists and Novelists. Thirty years ago Chinua Achebe was one of the founders of this new literature, and over the years many critics have come to consider him the finest of the Nigerian novelists. His acheivement, however, has not been limited to his continent. He is considered by many to be one of the best novelists now writing in the English language.

Unlike some African writers struggling for acceptance among contemporary English-language novelists, Achebe has been able to avoid imitating the trends in English literature. Rejecting the European notion "that art should be accountable to no one, and [needs] to justify itself to nobody," as he puts it in his book of essays, Morning Yet on Creation Day, Achebe has embraced instead the idea at the heart of the African oral tradition: that "art is, and always was, at the service of man. Our ancestors created their myths and told their stories for a human purpose." For this reason, Achebe beleives that "any good story, any good novel, should have a message, should have a purpose."

Achebe's feel for the African context has influenced his aesthetic of the novel as well as the technical aspects of his work. As Bruce King comments in Introduction to Nigerian Literature: "Achebe was the first Nigerian writer to successfully transmute the conventions of the novel, a European art form, into African literature." In an Achebe novel, King notes, "European character study is subordinated to the portrayl of communal life; European economy of form is replaced by an aesthetic appropriate to the rhythms of traditional tribal life."

Chitra Banerjee Divakaruni
1956-

Personal Information: Family: Born July 29, 1956, in Calcutta, India; daughter of R. K. and Tatini Banerjee; married S. Murthy Divakaruni, June 29, 1979; children: Abhay, Anand (sons). Education: Calcutta University, B.A., 1976; Wright State University, M.A., 1978; University of California--Berkeley, Ph.D., 1985. Addresses: Home: Sunnydale, CA. Office: Foothill College, English Department, 12345 El Monte Rd., Los Altos, CA 94022-4504.

Career: Diablo Valley College, professor of creative writing, 1987-89; Foothill College, Los Altos, CA, professor of creative writing, 1989--. Mid-Peninsula Support Network for Battered Women, 1990--; President, MAITRI (help-line for South Asian women), 1991--.

Awards: Memorial Award, Barbara Deming Foundation, 1989; Writing Award, Santa Clara County Arts Council, 1990; Writing Award, Gerbode Foundation, 1993; Bay Area Book Reviewers Award for Fiction; PEN Oakland Josephine Miles Prize for Fiction; Allen Ginsberg Poetry Prize and Pushcart Prize, both for Leaving Yuba City; American Book Award, Before Columbus Foundation, 1996, for Arranged Marriage: Stories; California Arts Council Award, 1998;

  • The Mistress of Spices was named a best book of 1997 by the Los Angeles Times and a best paperback of 1998 by the Seattle Times.

    WRITINGS BY THE AUTHOR:

    • Dark Like the River (poems), Writers Workshop [India], 1987.

    • The Reason for Nasturtiums (poems), Berkeley Poets Press (Berkeley, CA), 1990.

    • Black Candle: Poems about Women from India, Pakistan, and Bangladesh, Calyx Books (Corvallis, OR), 1991.

    • (Editor) Multitude: Cross-cultural Readings for Writers, McGraw-Hill (New York, NY), 1993.

    • Arranged Marriage: Stories, Anchor Books (New York, NY), 1995.

    • The Mistress of Spices (novel), Anchor Books (New York, NY), 1997.

    • Leaving Yuba City: New and Selected Poems, Anchor Books (New York, NY), 1997.

    • (Editor) We, Too, Sing America, McGraw-Hill (New York, NY), 1998.

    • Sister of My Heart (novel), Doubleday (New York, NY), 1999.

    • The Unknown Errors of Our Lives: Stories, Doubleday (New York, NY), 2001.

    • The Vine of Desire: A Novel, Doubleday (New York, NY), 2002.

    • Neela, Victory Song (juvenile), illustrated by Troy Howell, American Girl (Middleton, WI), 2002.

    • The Conch Bearer: A Novel (juvenile), Roaring Brook Press (Brookfield, CT), 2003.

    • Queen of Dreams: A Novel, Doubleday (New York, NY), 2004.

    Contributor to more than fifty periodicals, including Ms., Beloit Poetry Journal, Chicago Review, Zyzzyva, and Chelsea.

    Media Adaptations: The Mistress of Spices was adapted as an audiobook.


  • Buchi Emecheta

    Biography

    On July 21, 1944 in Yaba near Lagos, Nigeria, Buchi Emecheta was born to Jeremy Nwabudike and Alice Okwuekwu Emecheta. At a young age, Emecheta was orphaned and she spent her early childhood years being educated at a missionary school. In 1960, at the age of sixteen, Emecheta was married to Sylvester Onwordi, a student to whom she had been engaged since she was eleven. After their marriage, Sylvester and Buchi moved to London. Over the course of her six year marriage, Emecheta gave birth to five children.

    Major Themes

    Buchi Emecheta's works deal with the portrayal of the African woman. The main characters of her novels show what it means to be a woman and a mother in Nigerian society. Emecheta looks at how sexuality and the ability to bear children can sometimes be the only way by which to define femininity and womanhood.

    Major Works

    In the Ditch, published in 1972, tells the story of Emecheta's life after she leaves her husband and is living on her own with her children in a poor ghetto area. She supports her children by working in a library at the British Museum. In the Ditch chronicles Emecheta's life in the personage of the main character, Adah. Adah is forced to live in an housing estate set aside for problem families. This estate is known as Pussy Cat Mansions and it is a place filled with women. Adah can not identify with the women of Pussy Cat Mansions and her dignity is wounded because of the charity she is forced to accept. The main focus of the novel is on the importance of initiative and determination, for these are the only tools which help Adah get out to the ditch.

    In Emecheta's second novel, Second Class Citizen, Adah is being denied a Western education because she is a girl. This novel again characterizes Adah as having the initiative and determination to get what she wants - the Western education being denied to her. The basic theme of Second Class Citizen is one of vehement animosity at the gender discrimination that is often found in the culture of her people. Adah is also encumbered because of the gender discrimination that is the foundation of her marriage. Her husband, Francis, treats her as property. Adah is forced to support the family and is responsible for the children. In the meanwhile, Francis goes to school, studies, and continuously fails exams. Adah is in constant battle to try to preserve her womanhood, and when she finally leaves Francis she experiences a strong sense of relief. After leaving Francis, Adah has moments of loneliness and despair but in the end she comes out triumphant because of her willpower.

    One of Emecheta's finest novels, The Joys of Motherhood, is set in a time of great political and economic change for Nigeria. It is in this novel that Emecheta's main character defines validity of her womanhood solely by the success of her children. The chapter titles, "The Mother," "The Mother's Mother," "The Mother's Early Life," "First Shock of Motherhood," etc., follow the highs and lows of the heroine, Nnu Ego's, destiny. Nnu Ego's whole destiny is centered around her as a mother. Nnu Ego places all her hope for happiness and prosperity in her children, yet she is constantly disappointed. As a result, Nnu Ego finds no joy in her grown children.

    Emecheta's 1986 novel, Head Above Water, continues to describe her struggle to raise her family all alone. Adah finds jobs to support her family, gains a degree in sociology, and still manages to find time to write. Head Above Water looks at the social conditions of blacks in London and it shows Emecheta's progression as a novelist. The novel ends with two monumental accomplishments - the purchase of her own house and her becoming a full-time writer.

    Other Works

    The Bride Price, 1976
    The Slave Girl, 1977
    Titch the Cat, 1979
    Nowhere to Play, 1980
    The Moonlight Bride, 1980
    The Wrestling Match, 1980
    On Our Freedom, 1981
    Destination Biafra, 1982
    Naira Power, 1982
    Double Yoke, 1982
    The Rape of Shavi, 1983
    Adah's Story, 1983
    A Kind of Marriage, 1986
    Family Bargain, 1987
    Gwendolen, 1990

    http://www.emory.edu/ENGLISH/Bahri/Emech.html

    Ruth Prawer Jhabvala
    1927-

    Personal Information: Family: Born May 7, 1927, in Cologne, Germany; immigrated to England, 1939; naturalized British citizen, 1948; naturalized U.S. citizen, 1986; daughter of Marcus (owner of a clothing business) and Eleonora (Cohn) Prawer; married Cyrus S. H. Jhabvala (an architect), 1951; children: Renana, Ava, Firoza. Education: Queen Mary College, London, M.A., 1951. Memberships: Royal Society of Literature (fellow), Authors Guild, Authors League of America, Writers Guild of America. Addresses: Home and Office: 400 East 52nd St., New York, NY 10022. Agent: Rand Holston, Creative Artists Agency, 9830 Wilshire Blvd., Beverly Hills, CA 90212.

    Career: Novelist and author of screenplays. Producer of documentary film Courtesans of Bombay, New Yorker, 1982.

    Awards: Booker McConnell Prize for Fiction, British Book Trust, 1975, for Heat and Dust; Guggenheim fellow, 1976; Neil Gunn International fellow, 1979; British Academy of Film and Television Arts (BAFTA) Award for best screenplay, 1983, for Heat and Dust; Literary Lion award, New York Public Library, 1983; MacArthur Foundation fellow, 1984-89; Writers Guild of America Award for best adapted screenplay, and Academy Award for best screenplay adaption, both 1986, and BAFTA Award nomination for best adapted screenplay, 1987, all for A Room with a View; New York Film Critics Award for best screenplay, 1990, for Mr. and Mrs. Bridge; Academy Award for best screenplay adaption, BAFTA Award nomination for best adapted screenplay, Writers Guild of America Award nomination for best screenplay based on material previously produced or published, and Golden Globe Award nomination for best screenplay--motion picture, all 1993, all for Howards End; Academy Award nomination for best writing--screenplay based on material from another medium, BAFTA Award nomination for best adapted screenplay, Writers Guild of America Award nomination for best screenplay based on material previously produced or published, and Golden Globe Award nomination for best screenplay--motion picture, all 1994, all for The Remains of the Day; Laurel Award for Screen Writing Achievement, Writers Guild of America, 1994; D.Litt. London University; L.H.D. Hebrew Union; D.Arts, Bard; BAFTA fellowship, 2002; NBC Screenwriters Tribute, 2003; Nantucket Film Festival honors, 2003.

    WRITINGS BY THE AUTHOR:

    FICTION

    • To Whom She Will, Allen & Unwin (London, England), 1955, published as Amrita, Norton (New York, NY), 1956.

    • The Nature of Passion, Allen & Unwin (London, England), 1956.

    • Esmond in India, Allen & Unwin (London, England), 1957.

    • The Householder (also see below), Norton (New York, NY), 1960.

    • Get Ready for Battle, J. Murray (London, England), 1962.

    • Like Birds, Like Fishes, and Other Stories, J. Murray (London, England), 1963.

    • A Backward Place, Norton (New York, NY), 1965.

    • A Stronger Climate: Nine Stories, J. Murray (London, England), 1968.

    • An Experience of India (stories), J. Murray (London, England), 1971.

    • A New Dominion, J. Murray (London, England), 1972, published as Travelers, Harper (New York, NY), 1973.

    • Heat and Dust (also see below), J. Murray (London, England), 1975.

    • How I Became a Holy Mother, and Other Stories, J. Murray (London, England), 1975.

    • In Search of Love and Beauty, Morrow (New York, NY), 1983.

    • Out of India: Selected Stories, Morrow (New York, NY), 1986.

    • Three Continents, Morrow (New York, NY), 1987.

    • Poet and Dancer, Doubleday (New York, NY), 1993.

    • Shards of Memory, Doubleday (New York, NY), 1995.

    • East into Upper East: Plain Tales from New York and New Delhi (stories), Counterpoint Press (New York, NY), 1998.

    • My Nine Lives (fictionalized autobiography), J. Murray (London, England), 2004.

    SCREENPLAYS

    • The Householder (based on her novel), Royal, 1963.

    • (With James Ivory) Shakespeare Wallah (produced by Merchant-Ivory Productions, 1966), Grove, 1973.

    • (With James Ivory) The Guru, Twentieth Century-Fox, 1968.

    • (With James Ivory) Bombay Talkie, Merchant-Ivory Productions, 1970.

    • Autobiography of a Princess (Cinema V, 1975), published in Autobiography of a Princess: Also Being the Adventures of an American Film Director in the Land of the Maharajas, Harper (New York, NY), 1975.

    • Roseland, Merchant-Ivory Productions, 1977.

    • Hullabaloo over Georgie and Bonnie's Pictures, Contemporary, 1978.

    • (With James Ivory) The Europeans (based on the novel by Henry James), Levitt-Pickman, 1979.

    • Jane Austen in Manhattan, Contemporary, 1980.

    • (With James Ivory) Quartet (based on the novel by Jean Rhys), Lyric International/New World, 1981.

    • Heat and Dust (based on her novel), Merchant-Ivory Productions, 1983.

    • The Bostonians (based on the novel by Henry James), Merchant-Ivory Productions, 1984.

    • The Courtesans of Bombay, Channel 4, England/New Yorker Films, 1985.

    • A Room with a View (based on the novel by E. M. Forster), Merchant-Ivory Productions, 1986.

    • (With John Schlesinger) Madame Sousatzka (based on the novel by Bernice Rubens), Universal, 1988.

    • Mr. and Mrs. Bridge (based on the novels Mrs. Bridge and Mr. Bridge by Evan S. O'Connell), Miramax, 1990.

    • Howards End (based on the novel by E. M. Forster), Merchant-Ivory Productions, 1992.

    • The Remains of the Day (based on the novel by Kazuo Ishiguro), Merchant-Ivory Productions, 1993.

    • Jefferson in Paris, Merchant-Ivory Productions, 1995.

    • Surviving Picasso, Merchant-Ivory Productions, 1997.

    • (With James Ivory) A Soldier's Daughter Never Cries (based on the novel by Kaylie Jones), October Films, 1998.

    • The Golden Bowl (based on the novel by Henry James), Miramax, 2000.

    • Le Divorce (based on the novel by Diane Johnson) Fox Searchlight, 2003.

    OTHER

    • A Call from the East (play), produced in New York, NY, 1981.

    Contributor of short stories to periodicals, including New Yorker, Encounter, Kenyon Review, Yale Review, and New Statesman. Work represented in anthologies, including Penguin Modern Stories 2, Penguin, 1972.


    (Justin) Alex(ander) La Guma

    1925-1985

    Personal Information: Family: Born February 20, 1925, in Cape Town, South Africa; immigrated to London, England, 1966; died October 11, 1985, in Havana, Cuba; son of Jimmy and Wilhelmina (Alexander) La Guma; married Blanche Valerie Herman (an office manager and former midwife), November 13, 1954; children: Eugene, Bartholomew. Education: Cape Technical College, student, 1941-42, correspondence student, 1965; London School of Journalism, correspondence student. Memberships: Afro-Asian Writers Association (deputy secretary-general, 1973-85).

    Career: New Age (weekly newspaper), Cape Town, South Africa, staff journalist, 1955-62; free-lance writer and journalist, 1962-85. Member of African National Congress, 1955-85. Member of editorial board, Afro-Asian Writers Bureau, 1965-85.

    Awards: Afro-Asian Lotus Award for literature, 1969.

    WRITINGS BY THE AUTHOR:

    NOVELS

    • And a Threefold Cord, Seven Seas Publishers (East Berlin), 1964.

    • The Stone Country, Seven Seas Publishers (East Berlin), 1967, Heinemann, 1974.

    • In the Fog of the Season's End, Heinemann, 1972, Third Press, 1973.

    • Time of the Butcherbird, Heinemann, 1979.

    • Memories of Home: The Writings of Alex La Guma, Africa World Press (Trenton, NJ), 1991.

    • (With Can Themba and Bessie Head) Deep Cuts: Graphic Adaptations of Stories, Maskew Miller Longman (Cape Town, South Africa), 1993.

    • Jimmy La Guma: A biography, Friends of the South African Library (Cape Town, South Africa), 1997.

    OTHER

    • A Walk in the Night (novelette), Mbari Publications (Ibadan, Nigeria), 1962, expanded as A Walk in the Night and Other Stories (includes "The Gladiators," "At the Portagee's," "The Lemon Orchard," "A Matter of Taste," "Tattoo Marks and Nails," and "Blankets"), Northwestern University Press, 1967.

    • (Editor) Apartheid: A Collection of Writings on South African Racism by South Africans, International Publishers, 1971.

    • A Soviet Journey (travel), Progress Publishers (Moscow), 1978.

    Contributor of short stories to anthologies, including Quartet: New Voices from South Africa (includes "Nocturne" [originally published as "Etude"], "A Glass of Wine," and "Out of Darkness"), edited by Richard Rive, Crown, 1963, new edition, Heinemann, 1968; Modern African Stories, edited by Ellis Ayitey Komey and Ezekiel Mphahlele, Faber, 1964; African Writing Today, edited by Mphahlele, Penguin, 1967; Africa in Prose, edited by O. R. Dathorne and Willfried Feuser, Penguin, 1969; Modern African Stories (includes "Coffee for the Road"), edited by Charles R. Larson, Collins, 1971.

    Contributor of short stories to magazines, including Black Orpheus and Africa South.

    Rohinton Mistry
    1952-

    Personal Information: Family: Born 1952, in Bombay, India; immigrated to Canada, 1975; naturalized Canadian citizen; son of Behram (in advertising) and Freny (a homemaker; maiden name, Jhaveri) Mistry; married Freny Elavia (a teacher); children: two daughters. Education: University of Bombay, B.S., 1975; University of Toronto, B.A., 1984. Addresses: Home: Toronto, Ontario, Canada. Agent: Lucina Vardey Agency, 297 Seaton St., Toronto, Ontario M5A 2T6, Canada.

    Career: Worked in a bank in Toronto, Ontario, Canada; writer, 1985--.

    Awards: First Prize, Hart House Literary Contest, 1983 and 1984; Annual Contributor's Award, Canadian Fiction, 1985; shortlisted for Governor General's Award for best fiction, 1987, for Tales from Firozsha Baag; Governor General's Award for best fiction and shortlisted for Booker Prize, both 1991, and Commonwealth Writers Prize and Smith Books/Books in Canada award for first novel, both 1992, all for Such a Long Journey; Giller Prize, 1995, Royal Society of Literature's Winfried Holtby Prize, 1996, Los Angeles Times Book Award for Fiction, 1996, Commonwealth Writers Prize: Best Novel, 1996, shortlisted for Booker Prize, 1996, and selection, Oprah Winfrey Book Club, December, 2001, all for A Fine Balance: A Novel; shortlisted for James Tait Black Memorial Prize for fiction, 2002, and winner of, Kiriyama Prize, both for Family Matters, both 2002.

    WRITINGS BY THE AUTHOR:

    • Tales from Firozsha Baag (stories), Penguin (Toronto, Ontario, Canada), 1987, published as Swimming Lessons, and Other Stories from Firozsha Baag, Houghton (Boston, MA), 1989.

    • Such a Long Journey (novel), Knopf (New York, NY), 1991.

    • A Fine Balance: A Novel, Knopf (New York, NY), 1996.

    • Family Matters, Faber (London, England), 2001, Knopf (New York, NY), 2002.

    Author's writings have been translated into German, Swedish, Norwegian, Danish, and Japanese.

    Work represented in anthologies, including Black Water: The Book of Fantastic Literature, edited by Alberto Manguel, 1984;

  • Coming Attractions, edited by David Helwig, Oberon Press, 1986; and From Ink Lake: Canadian Stories, edited by Michael Ondaatje, 1992. Contributor to periodicals, including Antigonish Review, Canadian Fiction, Canadian Forum, Fiddlehead, Malahat Review, Quarry, and Toronto South Asian Review.

    Media Adaptations: A Fine Balance was the basis of a 1998 film by the same title. Author's works have been adapted for audiocassette.


  • Bharati Mukherjee
    1940-

    Personal Information: Family: Born July 27, 1940, in Calcutta, India; came to the United States, 1961; moved to Canada, 1968; nationalized Canadian citizen, 1972; permanent U.S. resident, 1980; daughter of Sudhir Lal (a chemist) and Bina (Barrerjee) Mukherjee; married Clark Blaise (a writer and professor), September 19, 1963; children: Bart Anand, Bernard Sudhir. Education: University of Calcutta, B.A., 1959; University of Baroda, M.A., 1961; University of Iowa, M.F.A., 1963, Ph.D., 1969. Religion: Hindu. Memberships: PEN. Addresses: Agent: c/o Lynn Nesbit, Janklow & Nesbit, 445 Park Ave., Floor 13, New York, NY 10022.

    Career: Marquette University, Milwaukee, WI, instructor in English, 1964-65; University of Wisconsin (now University of Wisconsin--Madison), Madison, instructor, 1965; McGill University, Montreal, Quebec, lecturer, 1966-69, assistant professor, 1969-73, associate professor, 1973-78, professor of English, 1978; Skidmore College, Saratoga Springs, NY, visiting assistant professor of English, 1979-80, 1981-82; Emory University, visiting assistant professor of English, 1983; Montclair State College, associate professor of English, 1984; City University of New York, professor of English, 1987-89; University of California, Berkeley, professor of English, 1987--.

    Awards: Grants from McGill University, 1968 and 1970, Canada Arts Council, 1973-74 and 1977, Shastri Indo-Canadian Institute, 1976-77, Guggenheim Foundation, 1978-79, and Canadian Government, 1982; first prize from Periodical Distribution Association, 1980, for short story "Isolated Incidents"; National Magazine Awards second prize, 1981, for essay "An Invisible Woman"; National Book Critics Circle Award for best fiction, 1988, for The Middleman and Other Stories; Pushcart Prize, 1999.

    WRITINGS BY THE AUTHOR:

    NOVELS

    • The Tiger's Daughter, Houghton Mifflin (Boston, MA), 1972.

    • Wife, Houghton Mifflin (Boston, MA), 1975.

    • Jasmine, Grove (New York, NY), 1989.

    • The Holder of the World, Knopf (New York, NY), 1993.

    • Leave It to Me, Knopf (New York, NY), 1997.

    • Desirable Daughters, Theia/Hyperion (New York, NY), 2002.

    • Tree Bride, Theia/Hyperion (New York, NY), 2004.

    SHORT STORIES

    • Darkness, Penguin (New York, NY), 1985.

    • The Middleman and Other Stories, Grove (New York, NY), 1988.

    OTHER

    • Kautilya's Concept of Diplomacy: A New Interpretation, Minerva (Calcutta, India), 1976.

    • (With husband, Clark Blaise) Days and Nights in Calcutta (nonfiction), Doubleday (New York, NY), 1977.

    • (With Clark Blaise) The Sorrow and the Terror: The Haunting Legacy of the Air India Tragedy, Viking (New York, NY), 1987.

    • Political Culture and Leadership in India (nonfiction), Mittal Publications (New Delhi, India), 1991.

    • Regionalism in Indian Perspective (nonfiction), South Asia, 1992.

    Contributor to periodicals, including Mother Jones, New York Times Book Review, Village Voice Literary Supplement, Salmagundi, and Saturday Night.

    Works in Progress: A Different Canadian: The East Indian Experience of Canada, an expansion of the essay "An Invisible Woman," for McClelland & Stewart; a novel.

    "Sidelights"


    V(idiadhar) S(urajprasad) Naipaul

    The British writer, born in Trinidad, was born in 1932 in Chaguanas, close to the Port of Spain on Trinidad, in a family descended from immigrants from the north of India. His grandfather worked in a sugar cane plantation and his father was a journalist and writer. At the age of 18 Naipaul travelled to England where, after studying at University College at Oxford, he was awarded the degree of Bachelor of Arts in 1953. From then on he continued to live in England (since the 70s in Wiltshire, close to Stonehenge) but he has also spent a great deal of time travelling in Asia, Africa and America. Apart from a few years in the middle of the 1950s, when he was employed by the BBC as a free-lance journalist, he has devoted himself entirely to his writing.

    Naipaul's works consist mainly of novels and short stories, but also include some that are documentary. He is to a very high degree a cosmopolitan writer, a fact that he himself considers to stem from his lack of roots: he is unhappy about the cultural and spiritual poverty of Trinidad, he feels alienated from India, and in England he is incapable of relating to and identifying with the traditional values of what was once a colonial power.

    The events in his earliest books take place in the West Indies. A few years after the publication of his first work, The Mystic Masseur (1957), came what is considered by many to be one of his most outstanding novels, A House for Mr. Biswas (1961), in which the protagonist is modelled on the author's father.

    After the enormous success of A House for Mr. Biswas, Naipaul extended the geographical and social perspective of his writing to describe with increasing pessimism the deleterious impact of colonialism and emerging nationalism on the third world, in for instance Guerrillas (1975) and A Bend in the River (1979), the latter a portrayal of Africa that has been compared to Conrad's Heart of Darkness.

    In his travel books and his documentary works he presents his impressions of the country of his ancestors, India, as in India : A Million Mutinies Now (1990), and also critical assessments of Muslim fundamentalism in non-Arab countries such as Indonesia, Iran, Malaysia and Pakistan in Among the Believers (1981) and Beyond Belief (1998).

    The novels The Enigma of Arrival (1987) and A Way in the World (1994) are to a great extent autobiographical. In The Enigma of Arrival he describes how a landed estate in southern England and its proprietor, with a colonial background and afflicted by a degenerative disease, gradually decline before finally perishing. A Way in the World, which is a cross between fiction, memoirs and history, consists of nine independent but thematically linked narratives in which Caribbean and Indian traditions are blended with the culture encountered by the author when he moved to England at the age of 18.

    V.S. Naipaul has been awarded a number of literary prizes, among them the Booker Prize in 1971 and the T.S. Eliot Award for Creative Writing in 1986. He is an honorary doctor of St. Andrew's College and Columbia University and of the Universities of Cambridge, London and Oxford. In 1990 he was knighted by Queen Elizabeth.

    A selection of works by V.S. Naipaul
    The Mystic Masseur. London: Deutsch, 1957.
    Miguel Street. London: Deutsch, 1959.
    A House for Mr. Biswas. London: Deutsch, 1961.
    The Middle Passage : Impressions of Five Societies – British, French and Dutch in the West Indies and South America. London: Deutsch, 1962.
    Mr. Stone and the Knights Companion. London: Deutsch, 1963.
    A Flag on the Island. London: Deutsch, 1967.
    The Loss of El Dorado : A History. London: Deutsch, 1969.
    In a Free State. London: Deutsch, 1971.
    The Overcrowded Barracoon and Other Articles. London: Deutsch, 1972.
    Guerrillas. London: Deutsch, 1975.
    India : A Wounded Civilization. London: Deutsch, 1977.
    A Bend in the River. London: Deutsch, 1979.
    A Congo Diary. Los Angeles, CA: Sylvester & Orphanos, 1980.
    Among the Believers : An Islamic Journey. London: Deutsch, 1981.
    The Enigma of Arrival. London: Viking, 1987.
    India : A Million Mutinies Now. London: Heinemann, 1990.
    A Way in the World. London: Heinemann, 1994.
    Beyond Belief : Islamic Excursions among the Converted Peoples. London: Little, Brown, 1998.
    Reading and Writing : A Personal Account. New York: New York Review of Books, 2000.

    Half a life. London: Picador, 2001.

    http://www.nobel.se/literature/laureates/2001/naipaul-bibl.html

    R. K. Narayan
    (1906-2001)

    Personal Information: Family: Born Rasipuram Krishnaswami Narayanaswami, October 10, 1906, in Madras, India; changed surname to Narayan, 1935; died May 13, 2001, in Madras, India; married; wife's name Rajam, 1934 (deceased, 1939); children: Hema (daughter). Education: Maharaja's College (now University of Mysore), received degree, 1930. Avocational Interests: Music and long walks.

    Career: Writer. Owner of Indian Thought Publications, Mysore, India.

    Awards: National Prize of the Indian Literary Academy, 1958; Sahitya Academy award, 1961; Padma Bhushan, India, 1964; National Association of Independent Schools award, 1965; D.Litt., University of Leeds, 1967, University of Delhi, Sri Venkateswara University, and University of Mysore; English-speaking Union Book Award, 1975, for My Days: A Memoir; Benson Medal and fellow, Royal Society of Literature, 1980; honorary membership and citation, American Academy and Institute of Arts and Letters, 1982; Padma Vibhushan, India, 2000.

    WRITINGS BY THE AUTHOR:

    NOVELS

    • Swami and Friends: A Novel of Malgudi, Hamish Hamilton (London, England), 1935, Fawcett (New York, NY), 1970, published with The Bachelor of Arts, Michigan State College Press (East Lansing, MI), 1957.

    • The Bachelor of Arts, Nelson (London, England), 1937, published with Swami and Friends, Michigan State College Press (East Lansing, MI), 1957.

    • The Dark Room, Macmillan (London, England), 1938.

    • The English Teacher, Eyre & Spottiswoode (London, England), 1945, published as Grateful to Life and Death, Michigan State College Press (East Lansing, MI), 1953.

    • Mr. Sampath, Eyre & Spottiswoode (London, England), 1949, published as The Printer of Malgudi, Michigan State College Press (East Lansing, MI), 1957.

    • The Financial Expert, Methuen (London, England), 1952, Michigan State College Press (East Lansing, MI), 1953.

    • Waiting for the Mahatma, Michigan State College Press (East Lansing, MI), 1955.

    • The Guide, Viking (New York, NY), 1958.

    • The Man-Eater of Malgudi, Viking (New York, NY), 1961.

    • The Vendor of Sweets, Viking (New York, NY), 1967, published as The Sweet-Vendor, Bodley Head (London, England), 1967.

    • The Painter of Signs, Viking (New York, NY), 1976.

    • A Tiger for Malgudi, Viking (New York, NY), 1983.

    • Talkative Man, Heinemann (London, England), 1986, Viking (New York, NY), 1987.

    • The World of Nagaraj, Viking (New York, NY), 1990.

    SHORT STORIES

    • Malgudi Days, Indian Thought (Mysore, India), 1943.

    • Dodu and Other Stories, Indian Thought (Mysore, India), 1943.

    • Cyclone and Other Stories, Indian Thought (Mysore, India), 1944.

    • An Astrologer's Day and Other Stories, Eyre & Spottiswoode (London, England), 1947.

    • Lawley Road, Indian Thought (Mysore, India), 1956.

    • Gods, Demons, and Others, Viking (New York, NY), 1964, illustrated by R. K. Laxman, University of Chicago Press (Chicago, IL), 1993.

    • A Horse and Two Goats and Other Stories, Viking (New York, NY), 1970.

    • Old and New, Indian Thought (Mysore, India), 1981.

    • Malgudi Days, Viking (New York, NY), 1982.

    • Under the Banyan Tree and Other Stories, Viking (New York, NY), 1985.

    • Malgudi Days II, Viking (New York, NY), 1986.

    • The Grandmother's Tale, illustrated by Laxman, Indian Thought (Mysore, India), 1992, published as The Grandmother's Tale and Selected Stories, Viking (New York, NY), 1994.

    • Salt and Sawdust: Stories and Table Talk, Penguin (New Delhi, India), 1993.

    • A Town Called Malgudi: The Finest Fiction of R. K. Narayan, edited with an introduction by S. Krishnan, Viking (New York, NY), 1999.

    Contributor of short stories to periodicals, including New Yorker.

    OTHER

    • Mysore, Government Branch Press (Mysore, India), 1939.
    • Next Sunday: Sketches and Essays, Indian Thought (Mysore, India), 1956, Pearl (Bombay, India), 1960.
    • My Dateless Diary: A Journal of a Trip to the United States in October 1956, Indian Thought (Mysore, India), 1960, Penguin (New York, NY), 1965.
    • (Translator) The Ramayana: A Shortened Modern Prose Version of the Indian Epic, Viking (New York, NY), 1972.
    • My Days: A Memoir, Viking (New York, NY), 1974.
    • Reluctant Guru, Hind Pocket Books (New Delhi, India), 1974.
    • The Emerald Route (includes play The Watchman of the Lake), Government of Karnataka (Bangalore, India), 1977, Ind-US Inc. (Glastonbury, CT), 1980.
    • (Translator) The Mahabharata: A Shortened Prose Version of the Indian Epic, Viking (New York, NY), 1978.
    • A Writer's Nightmare: Selected Essays, 1958-1988, Penguin (London, England), 1988, Penguin (New York, NY), 1989.
    • A Story-Teller's World: Stories, Essays, Sketches, Penguin (London, England), 1989, Viking (New York, NY), 1990.
    • (Editor) Indian Thought: A Miscellany, Penguin (London, England), 1997.
    • The Magic of Malgudi (collection, contains Swami and Friends, The Bachelor of Arts, and The Vendor of Sweets), edited with an introduction by S. Krishnan, Viking (New York, NY), 2000.
    • The World of Malgudi (collection, contains Mr. Sampath,The Financial Expert, The Painter of Signs, and A Tiger for Malgudi), edited with an introduction by S. Krishnan, Viking, (New York, NY), 2000.

    Author's manuscript collection is housed at the Mugar Memorial Library, Boston University.

    Media Adaptations: Narayan's The Guide was adapted for the stage by Harvey Breit and Patricia Rinehart and produced Off-Broadway at the Hudson Theatre, 1968. Mr. Sampath and The Guide were adapted for film.



    Originally named James Thiong'o Ngugi, this politically active Kenyan writer changed his name in renouncement of Christianity because of the religion's colonial ties. He was born in 1938 and his education was a mix of Christianity and tradition. His family was involved in the Mau Mau resistance to the colonists, and this experience features prominently in a great deal of his writings. In 1963, Ngugi completed the Honors English program at Makerere University College in Kampala, Uganda. He eventually became a professor at Nairobi University, having the intention of promoting interest in African writers. By 1977, he declared his intention of writing novels in Gikuyu (or Kikuyu), his native language, rather than in English as he had been doing. This was also the same year that he was arrested and detained for the following year because of the political message of his popular play I Will Marry When I Want. In 1980, he published the first modern novel written in Gikuyu, Caitaani muthara-Ini (Devil on the Cross). In 1982, Ngugi left his country to live in self-imposed exile in London.
    Works

    1963, The Black Hermit (play)
    1964, Weep Not, Child
    1965, The River Between
    1967,
    A Grain of Wheat
    1970, This Time Tomorrow (three plays, including the title play, "The Reels," and "The Wound in the Heart")
    1972, Homecoming: Essays on African and Caribbean Literature, Culture, and Politics
    1974, Secret Lives, and Other Stories
    1976, The Trial of Dedan Kimathi (with Micere Githae Mugo)
    1977,
    I Will Marry When I Want (play; with Ngugi wa Mirii)
    1977, Petals of Blood
    1980, Devil on the Cross
    1981, Writers in Politics: Essays
    1981, Detained: A Writer's Prison Diary
    1983, Barrel of a Pen: Resistance to Repression in Neo-Colonial Kenya
    1986, Decolonising the Mind: The Politics of Language in African Literature
    1986, Mother, Sing For Me
    1989, Matigari
    1990, Njamba Nene's Pistol (children's book)
    1990, Njamba Nene and the Flying Bus (children's book)
    1992, Moving the Centre: The Struggle for Cultural Freedom

    http://bdagger.colorado.edu/~bhongale/ngugi.html

    Ben Okri
    1959-

    Personal Information: Family: Born March 15, 1959, in Minna, Nigeria. Education: Attended Urhobo College (Warri, Nigeria) and University of Essex. Hobbies and other interests: Music, art, theater, cinema, martial arts, good conversation, dancing, silence. Memberships: PEN International, Society of Authors. Addresses: Agent: c/o Author Mail, Orion Publishing Group, Orion House, 5 Upper St. Martin's Lane, London WC2H 9EA, England.

    Career: Novelist, poet, and author of short fiction. West Africa magazine, poetry editor, 1981-87; host of Network Africa, BBC World Service, 1984-85. Visiting fellow at Trinity College, Cambridge, 1991-93.

    Awards: Commonwealth Writers' Prize for Africa, 1987; Paris Review Aga Khan prize for fiction, 1987; Booker Prize for fiction, 1991, for The Famished Road; Premio Letterario Internazionale Chianti Ruffino-Antico Fattore, 1993; Premio Grinzane Cavour, 1994; Crystal Award, 1995; Fellow of the Royal Society of Literature, 1997; Premio Palmi, 2000. Honorary D. Lit., University of Westminster, 1997.

    WRITINGS BY THE AUTHOR:

    • Flowers and Shadows (novel), Longman (London, England), 1980.

    • The Landscapes Within (novel), Longman (London, England), 1981.

    • Incidents at the Shrine (short stories), Arrow Books (New York, NY), 1986.

    • Stars of the New Curfew (short stories), Secker & Warburg (London, England), 1988, Viking (New York, NY), 1989.

    • The Famished Road (novel), Cape (London, England), 1991, Nan A. Talese (New York, NY), 1992.

    • An African Elegy (poetry), Cape (London, England), 1992.

    • Songs of Enchantment (novel), Doubleday (New York, NY), 1993.

    • Astonishing the Gods (novel), Phoenix House (London, England), 1995, Orion, 1998.

    • Dangerous Love (novel), Phoenix House (London, England), 1996.

    • A Way of Being Free (novel), Phoenix House (London, England), 1997.

    • Infinite Riches (novel), Phoenix House (London, England), 1999.

    • In Arcadia (novel), Phoenix House (London, England), 2002.

    Contributor of articles and reviews to periodicals, including Guardian, Observer, and New Statesman.


    Bessie Head

    1937-1986

    Personal Information: Family: Original name Bessie Amelia Emery; born July 6, 1937, in Pietermaritzburg, South Africa; died of hepatitis April 17, 1986, in Botswana; married Harold Head (a journalist), September 1, 1961 (divorced); children: Howard. Education: Educated in South Africa as a primary teacher. Politics: None ("dislike politics"). Religion: None ("dislike formal religion").

    Career: Teacher in primary schools in South Africa and Botswana for four years; journalist at Drum Publications in Johannesburg for two years; writer. Represented Botswana at international writers conference at University of Iowa, 1977-78, and in Denmark, 1980.

    Awards: The Collector of Treasures and Other Botswana Village Tales was nominated for the Jock Campbell Award for literature by new or unregarded talent from Africa or the Caribbean, New Statesman, 1978.

    WRITINGS BY THE AUTHOR:

    • When Rain Clouds Gather (novel), Simon & Schuster, 1969.

    • Maru (novel), McCall, 1971.

    • A Question of Power (novel), Davis Poynter, 1973, Pantheon, 1974.

    • The Collector of Treasures and Other Botswana Village Tales (short stories), Heinemann, 1977.

    • Serowe: Village of the Rain Wind (historical chronicle), Heinemann (Portsmouth, NH), 1981.

    • A Bewitched Crossroad: An African Saga (historical chronicle), Donker (Craighall), 1984, Paragon House, 1986.

    • A Gesture of Belonging: Letters from Bessie Head, 1965-1979, edited by Randolph Vigne, Heinemann, 1990.

    • A Woman Alone: Autobiographical Writings, edited by Craig MacKenzie, Heinemann, 1990.

    • Tales of Tenderness and Power, Heinemann, 1990.

    • (Contributor) Deep Cuts: Graphic Adaptations of Stories, Maskew Miller Longman (Cape Town, South Africa), 1993.

    • Life, adapted by Ivan Vladislaviac, illustrated by Renee Koch, Viva (Johannesburg, South Africa), 1993.

    • The Lovers, adapted by Ina Lawson, illustrated by Renee Koch, Viva (Johannesburg, South Africa), 1994.

    • The Cardinals, with Meditations and Short Stories, David Philip (Cape Town), 1993, Heinemann, 1996.

    Contributor to periodicals, including the London Times, Presence Africaine, New African and Transition.

    Witi Ihimaera

    1944-


    Personal Information: Family: Born February 7, 1944, in Gisborne, New Zealand; son of Tame Czar, Jr. (a farmer) and Julia (Keelan) Ihimaera; married Jane Cleghorn, May 9, 1970; children: Jessica Kiri, Olivia Ata. Education: Attended University of Auckland, 1962-66; Victoria University of Wellington, B.A., 1970. Memberships: International P.E.N., Maori Writers and Artists Society of New Zealand. Addresses: Home: 11 Hungerford Rd., Wellington 3, New Zealand. Office: Ministry of Foreign Affairs, Wellington, New Zealand.

    Career: Post Office, Headquarters, Wellington, New Zealand, journalist, 1969-72; Ministry of Foreign Affairs, Wellington, New Zealand, diplomatic officer, 1973--. Member of Queen Elizabeth II Arts Council of New Zealand.

    Awards: Burns fellow at University of Otago, 1975.

    WRITINGS BY THE AUTHOR:

    • Pounamu, Pounamu (short stories; title means "Greenstone, Greenstone"), Heinemann, 1972.

    • Tangi (novel; title means "Mourning"), Heinemann, 1973.

    • Whanau (novel; title means "Family"), Heinemann, 1974.

    • Maori (nonfiction), New Zealand Government Printer, 1975.

    • The New Net Goes Fishing (short stories), Heinemann, 1976.

    • (Editor with D.S. Long) Into the World of Light (collection of contemporary Maori writing), Queensland University Press, 1978.

    • The Matriarch, Pan Books (Auckland), 1986.

    • Dear Miss Mansfield: A Tribute to Kathleen Mansfield Beachamp, Viking (New York City), 1989.

    • The Whale Rider (illustrated by John Hovell), Mandarin (Auckland), 1992.

    • (Editor) Te Ao Marama: Contemporary Maori Writing, Reed Books (Auckland), 1993.

    • Land, Sea, and Sky, with photographs by Holger Leue, Reed, 1994.

    • Bulibasha: King of the Gypsies, Penguin (New York City), 1994.

    • (Editor) Vision Aotearoa: Kaupapa New Zealand, Bridget Williams (Wellington, New Zealand), 1994.

    • Kingfisher Come Home: The Complete Maori Stories, Secker and Warburg (Auckland), 1995.

    • Aotearoa = New Zealand (with photographs of Holger Leue), Reed, 1995.

    • Nights in the Gardens of Spain, Secker and Warburg, 1995.

    • The Kaieke Tohora, Reed Publishing, 1995.

    • (Co-editor) Mataora: The Living Farce: Contemporary Maori Art, D. Bateman, 1996.

    • The Dream Swimmer, Penguin, 1997.

    • (Editor) Growing Up Maori, Tandem Press, 1998.

    • Woman Far Walking, Huia, 2000.

    Contributor to New Zealand magazines, including Islands and Landfall.

    Works in Progress: A sequel to Tangi.

    "Sidelights"

    Ihimaera writes: "There are two landscapes to New Zealand, the Maori and the Pakeha (European). I began writing and continue writing to ensure that the Maori landscape of New Zealand is taken into account. I am Maori. I write about Maori people. They are my commitment--and I am committed not only in my writing, but also in my career and my whole life."